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Faith in Modern Mother

by IZFERNOR

supported by
Patrick Harsh
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John Morghen
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Matthew Douglass
Matthew Douglass thumbnail
charlie_schiz
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/

  • Streaming + Download

    Includes high-quality download in MP3, FLAC and more. Paying supporters also get unlimited streaming via the free Bandcamp app.

    Bonus items are all pictures from the process of making Faith in Modern Mother and the business cards that came with it. I want to say there were 20 or 24 copies made with four different lightscribe disc pictures. A "single" version of the last three tracks were also featured on Love Torture Record's archive dot org roster so there's photos from that.
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  • Full Digital Discography

    50
    releases

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    Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of Everyone's Favourite Mistake (rough cut), 22 06 24, Wrath's Done, Antares, Cult of Nemesis, OD on KR3, I'm Not Touching You, Further Proof that You Don't Care, and 42 more. , and , .

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1.
Heating Up Sand to Glass 03:38
2.
triumph 03:15
3.
mirror bejeweled hurricane box 04:33
4.
My First Time Stealing Tea in a Boot 01:56
5.
in sec'd brewed 06:59
6.
Ditherment, Titillation, Among Other Things 04:42
7.
Officially Complicated 02:57
8.
Your Hubris Ways 03:11
9.
There Used to be Shelter 05:29
10.
Absence Makes the Heart Grow Fonder 04:38
11.
Feels like Shelter 01:37

about

Oh man, looking back eight or so years later, how would I describe my first attempt at a full length album? Overambitious to a fault in every aspect. Naive and pretentious. Overlong despite a relatively short run time. Overall, not too good. So why upload it to bandcamp? Strictly continuity's sake. And I made it and it's my kid so I have to own up to this shit for some oblique moral obligation.
The one thing I took from the Extended Ploy EP was to make longer more involved songs. Much like the tracks on Battle for the Tympanic Membrane split, FiMM has a lot of longer tracks that just don't stay interesting. They're plagued with jumpscare bad mixing and the weird improv piano thing I was doing was... unpleasant to say the least. Not that I'm better at piano now.
Honestly this is the first nail in izfernor's coffin, as this release introduced a ton of bad habits that lead to it's demise. The impatience I had with production, the sacrificing of quick catchy tracks for long boring ones, the fucking keyboard music. Even the packaging for the CD was overly ambitious; each one hand made from cereal boxes and masking tape, modge podge'd together with twine with hand made booklets that were ruined and stuck together with any amount of heat.
Still, while I might not be proud of this album, I'm semi-impressed with the effort and glad I gave it a shot. To it's credit, it doesn't sound the same all over and jumps around in tone a lot. So there's that.
I miss the myspace noise days. Everyone just did what they wanted and none of it was any good because it didn't have to be. Everything feels so serious now. A small part of me just wants to be fifteen again in a basement in Ypsi making stupid shitty noise tracks and watching OverTheGun on youtube, dicking around in photoshop, having bad relationships because I can't communicate with humans well, and bitching about existentialism and capitalism. That being said, the only difference is that I'm older now and above ground and myspace is dead and I don't have photoshop anymore.

credits

released June 8, 2010

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yea fuckin no image

yea fuckin no Virginia Beach, Virginia

I've always been like this.

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